a n d r e w h e w i s h

About the Artist

c o n t e m p o r a r y v i s u a l a r t i s t

Andrew Hewish lives and has a full-time studio practice in London, having completed his MFA at COFA in 2001. In 2004 he founded and is the current Director of the Centre for Recent Drawing (C4RD), a non-profit museum space for the exploration and discussion of current drawing practice and thought. He has exhibited and is collected internationally.

Hewish's work largely encompasses painting (oil,watercolour, ink), drawing and sculptures, inpired by a tradition of theatrical setting and 'insistent objects' in the creative setting and in the everyday. These work engages the monumental in its relationship to the dramatic and the burlesque, where objects and images are often meditations or fugues of imaginary landscape and stage objects. Inspiration is drawn from pieces of the built environment that are in themselves simulacra, no longer extant, projected but not built, and built architecture (particularly from the spheres of entertainment and politics), and from form determined by economic and other factors which transformed in the studio might be nudged toward an invocation of the same. The work inhabits a continuous generative stream, where motifs shift between media beyond their original conception, taking on a formal 'insistence' and a structural logic. This analogy of form and its shift in a world of information drift is fused with circumlocutory or fragmented narratives in the spirit of the Absurd.


included in
Contested Ground at
176 / Zabludowicz Collection, London:

Cthonic Harmonic 2009
Balsa Wood, Paint 
Inspired by architectural folly, observations of Venice's encrusted architectural aspect and that city's historical fascination with capriccio form, this piece is part of an ongoing enquiry into the nature of sculpture as stage object; how far do its formal qualities assure its presence, and how do these qualities intersect with the object's theatrical framing? This object can be regarded as a koan of the stability of form's generation and continuity.


False Tori 2008
cardboard, plaster, glue, reeds
from exhibition SHIBUI, 2008.
 
Art Papers review: Andrew Hewish
Review in Art Papers
Solo Exhibitions
2008 Palladio Studies, Villa Saraceno, Italy.
2008 Endless Pleasure, Horizon Home Gallery, Atlanta.
2006 The Insubstantial Pageant, Nolias Gallery, London.
2005 The Majestic World, Nolias Gallery, London.
2005 Scenes from Aladdin, SLOT Gallery, Sydney.
2004 Scenes and Monuments, Nanospace, London.
2004 Monte San Martino, 7 Bedford Row, London.
2003 Distance, IDG, Sydney.
2002 Paintings from the Hill End Residency, Lilianfels, Sydney.
2000 Detritus, Michael Carr Art Dealer, Sydney.
1999 Littoral, Global Gallery,Sydney.
1998 Wallamumbi, New England Regional Art Museum, Armidale.
1997 Wallamumbi, SoHo Gallery, Sydney.

Selected Group Exhibitions
2009 Contested Ground, 176 / Zabludowicz Collection, London.
2005 Seductive Revisions, Wallace Collection, London.
2005 Kunst-Event, Antwerp.
2005 4th Artist International Exhibition, Penne San Giovanni, Italy.
2005 The First Picture Show, Monte San Martino, Italy.
2005 The Landscape of Memory, C4RD, London.
2003 Masters, IDG, Sydney.
2003 Arts House Gallery, London.
2001-2003 Alberto Vilar Gallery, London.
2002 Second Floor Gallery, London.
2001 Michael Carr Art Dealer, Sydney.
2000 New Century Artists, New York.
1999 Olsen Carr, Sydney.
1998 Art Images, Adelaide.
1998 SoHo Gallery, Sydney.



Collections
New England Regional Art Museum
Newcastle Region Gallery
Bathurst Regional Art Museum
University of New South Wales 
Macquarie Bank
Allens Arthur Robinson
Atonaskovic and Hartnell
Howrey LLP
Children's Hospital Westmead
private collections in Australia, 
China, USA, UK and continental Europe



connection to Andrew Hewish email

  

mail@andrewhewish.com


All images are copyright of the artist